While skateboarding made him famous, the book also highlights his extensive work in . For over 40 years (1965–2005), Phillips crafted stunning, psychedelic-tinged posters for the evolving Rock Age.
However, it’s his work in the world of skateboarding that cemented his status as a legend. As the art director for Santa Cruz Skateboards starting in the 1970s, Phillips became the visionary who would define the look and feel of the sport for an entire generation. He designed the iconic Santa Cruz lettering in 1975 that is still in use today, followed by other legendary logos like the Maltese Cross for Independent Truck Company in 1979.
"Surf, Skate, & Rock Art of Jim Phillips: 40 Years of Surf, Skate, and Rock Art" is a 208-page retrospective documenting the artist's foundational work in surf, skate, and rock subcultures. Published by Schiffer Publishing, it showcases iconic designs like the Screaming Hand and Roskopp series, highlighting hand-drawn techniques that shaped California youth culture. For more details, visit Schiffer Publishing . Share public link
Born in San Jose, California, in 1944, Jim Phillips grew up on the move in a turbulent household, attending eight different schools by the second grade. To pass the time, he drew, finding solace and self-expression in creating cartoons inspired by comic strips in newspapers. His first big break came in 1962 when a cartoon he'd drawn, "Woody," won a contest in Surfer Quarterly magazine and was published in its spring issue. This set the stage for a career that would see him designing art for surfboards in local shops, and later, studying fine art at the California College of Arts and Crafts in Oakland. While skateboarding made him famous, the book also
"Surf, Skate and Rock Art of Jim Phillips" showcases four decades of iconic visual design that defined Californian surf and skate subcultures. The collection features his renowned graphics, including the Screaming Hand, which combined bold lines and rebellious energy to influence generations of artists and riders. Explore the extensive portfolio of Jim Phillips' artwork.
Before you search for the PDF, you must understand the hand that drew it. Born in 1956 in San Jose, California, Jim Phillips grew up with the ocean in his periphery and the roar of rock music in his ears. While artists like Rick Griffin and Wes Wilson defined the psychedelic 60s, Phillips owned the gritty, sun-bleached 70s and 80s.
"Surf, Skate, and Rock Art of Jim Phillips" is a 208-page retrospective, often sought in PDF format, highlighting over 40 years of iconic visual culture by the former Santa Cruz Skateboards art director. The book documents his, as described on Amazon , "diverse and award-winning graphic art", featuring seminal designs like the "Screaming Hand" and various surf and rock posters. For more details, visit Amazon.com. YouTube·Austin Robinson The "Surf, Skate, & Rock Art of Jim Phillips" Art Review As the art director for Santa Cruz Skateboards
Highlights
The book begins by diving into his surf art, where his love for the ocean is palpable. As a local Santa Cruz surfer himself, Phillips didn't just depict the sport from an outside perspective; he captured the feeling of gliding across a wave, the sun beating down, and the laid-back, yet rebellious, attitude of the beach culture that defined California in the 60s and 70s.
His first brush with publication came early. At just 17 years old, Phillips won a “surf car cartoon” competition, and his winning drawing of a woody station wagon appeared in the Spring 1962 issue of Surfer Quarterly magazine. This initial success was a harbinger of things to come, kicking off a career that would see him publish award-winning graphic designs for cartoons, skateboards, T-shirts, stickers, and ad art for decades to come. the art movements he shaped
The book is thoughtfully organized into chronological chapters, charting Phillips's evolution from a promising young artist to an established master. A library catalog entry outlines its contents as:
For a kid in Ohio who has never seen the Pacific Ocean, this PDF is their window into a dream. For a punk in London, it is a history book of rebellion. For a graphic designer, it is a cheat code for energy.
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Before his skateboarding fame, Phillips was deeply embedded in the Santa Cruz surf scene. This section features:
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