Spiccato, staccato, pizzicato, bartók pizz, and col legno.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
It features the signature "Air" sound—lush and airy—but with a crisp, "rosined" raspiness that provides more definition and detail than larger symphonic sections.
: Captured through Neve Montserrat Pre-amps into a Neve 88R desk using valve and ribbon microphones. Spitfire Audio Core Features & Articulations Spitfire Audio LLP BML Sable Strings FULL V1.1 KONTAKT
user wants a long article about "Spitfire Audio LLP BML Sable Strings FULL V1.1 KONTAKT". This is a specific sample library. I need to provide comprehensive information. I'll follow the search plan as outlined. I'll start with the first set of searches to gather general information, reviews, and technical details. search results have provided a good amount of information. I now need to open some of the most relevant links to gather detailed information for the article. I'll open the MusicRadar review, the B&H Photo Video page for Sable 1, the samples-shop.com page, the Equipboard page, the Spitfire Audio help centre pages, the review from ask.video, the AudioFanzine test, and the VI-Control threads. have gathered a substantial amount of information from various sources. Now I need to structure the article. The user wants a long article. I will structure it with an introduction, a genesis section on the British Modular Library, detailed sections on volume 1 and the full V1.1 release, a breakdown of the full string section, the recording chain, articulation depth, technical specifications, critical reception, its current legacy and successor, and a conclusion and final verdict. I will cite the sources appropriately. the legacy of Spitfire Audio's BML Sable Strings FULL V1.1 KONTAKT. This article explores this legendary chamber strings library, its features, sound, and why it remains a landmark in virtual orchestration.
represents a pivotal release from Spitfire Audio , created in collaboration with the London Symphony Orchestra at the legendary AIR Studios (Lyndhurst Hall). This library focuses on a smaller, intimate string section (the “Sable” force: 4,3,2,2,1 – i.e., 4 First Violins, 3 Second Violins, 2 Violas, 2 Celli, 1 Bass), recorded in the Gallery position of AIR’s Hall. The result is a dry-but-breathtakingly-detailed sound, closer to chamber-sized ensembles than large Hollywood scores.
You cannot talk about Sable Strings without talking about the room it was recorded in. Lyndhurst Hall at AIR Studios is arguably one of the finest scoring stages in the world, famous for its lush reverberation and pristine acoustic properties. Spiccato, staccato, pizzicato, bartók pizz, and col legno
A wide range of textural articulations that, because of the small group size, sound exceptionally raw and authentic. 3. Multiple Microphone Positions (The AIR Factor)
The legato patches in Sable v1.1 are incredibly smooth. Spitfire captured true interval transitions, meaning the transitions between notes change dynamically based on your playing speed. Whether you are writing a slow, weeping melody or a fast, agile run, the script transitions smoothly without artificial overlapping. Articulation Overview
The microphone positions included:
One of the library's most celebrated features is its extensive microphone mixing capabilities. Recording engineer Jake Jackson captured the ensemble from seven different perspectives, offering unprecedented control over the final sound.
, making them more fluid and responsive to keyboard velocity and speed. Layering Power:
AIR Studios' Lyndhurst Hall is a massive, gothic revival building with a cavernous, lush reverb. Sable was recorded with the Decca Tree (classic orchestral mics), Outriggers, Close Ribbons (warmth), and Ambient mics. The V1.1 update optimized the function, allowing you to dial in the perfect balance without eating all your RAM. If you share with third parties, their policies apply
You cannot review Sable V1.1 without stating the obvious:
Before we dissect V1.1, we need to understand the context. Spitfire Audio’s BML series was radical for its time (circa 2012-2014). Instead of releasing a bloated, all-in-one "Strings" patch, Spitfire adopted a modular "Lego brick" approach. Sable was the section (4, 3, 2, 2, 2 - Violins, Violas, Cellos, Basses), recorded with the same meticulous, multi-mic, no-holds-barred methodology as their flagship Mural (Symphony) and Sable (Chamber) ranges.