: Includes two theatrical trailers, five radio spots, and a TV spot.
What truly elevates this "Special Edition" from a simple reissue to an essential library piece is its wealth of supplemental features. The 2021 release is packed with nearly three hours of brand-new and archival content that explores every facet of the film's production and legacy.
: An informative track by film historian Tim Lucas that compares the final film to the original Leigh Brackett script and Raymond Chandler novel. David Thompson on Robert Altman the long goodbye 1973 extras 1080p bluray 2021
: A legacy featurette featuring director Robert Altman and star Elliott Gould discussing the film's controversial reception and Altman's improvisational style.
A 45-minute documentary produced exclusively for the 2021 Blu-ray. Featuring new interviews with: : Includes two theatrical trailers, five radio spots,
stands as the definitive high-definition release of this neo-noir masterpiece. For home media collectors and cinephiles tracking down the optimal version of "Rip Van Marlowe," this 1080p AVC-encoded disc bridges the gap between classic cinematic subversion and modern restoration technology. The Movie: Altman's Neo-Noir Subversion The Long Goodbye (Special Edition) (Blu-ray) - Kino Lorber
A built-in digital gallery presenting a full text and picture reprint of the original 1973 industry article detailing the film's tech specs. : An informative track by film historian Tim
Instead of a sleek, fast-talking 1940s detective, Elliott Gould portrays Philip Marlowe as "Rip Van Marlowe"—a rumpled, chain-smoking anachronism wandering through the superficial, sun-drenched narcissism of 1970s Los Angeles.
For fans and collectors, . The new 4K restoration offers a significant visual upgrade, and the nearly comprehensive library of extras provides context that enriches the viewing experience.
Most Blu-ray extras are fluff. Commercials for the film’s legacy. But the 2021 The Long Goodbye extras are a mirror. They force you to watch the film not as a period piece, but as a prophecy. Altman’s Los Angeles is our Los Angeles. The wealthy are still insane (Sterling Hayden’s wife-beating writer is just a less online version of today’s moguls). The police are still indifferent. And somewhere, a man in a rumpled suit is trying to buy the right brand of cat food for a cat that will never love him.